Aniket Digambar Mhaske – Movie Reviewer
Artists – Rajinikanth, Nana Patekar, Huma Qureshi, Ishwari Rao, Anjali Patil, Pankaj Tripathi
Duration – 3 hours 5 minutes
Rating- (3.5 / 5)
People used to come to Mumbai to get jobs from the country. Even today, people used to call the garbage or neglected areas as raiyah, and they began to fill their stomach and started filling their stomach. Tambu was later converted into a sheet shed and now it has become a cottage house. In the central part of Mumbai, there are so many slums on this large ground If this place is to be used for development, then the caretaker builders and leaders will not come forward, then who is this orphaned place? People who are Dharwad, who live in Dhanpura for years, tell people to dream of a better life instead of giving them a better house instead of their huts, in a poultry house Shut up and then construct new buildings and get money, land grabbing Hari Dada alias Hari Abhyankar (Nana Patekar) is a great politician, who aims to be a “clean and pure country.” The green man wants to remove the slum, but it is the land owned by people who live in Dharavi for many years. So take this people along with them, to develop their development, considering their needs, Kaliman alias Kala (Rajinikanth), Goddess of Hari Dada Is struck.
The story of “Kaala” directed by P. Ranjeet is fictional, but many such incidents are seen in Mumbai by day-to-day. If the development of the city is to be developed then the slum should be removed and the people should be compensated properly. However, many slums have been demolished in the name of development Additionally, they are yet to pay proper built nahimothya buildings but the truth is that slums do not see the ripping through hatalelya. Most of the problems are shown in a black film, but in the end, when you say commercial movies, you will not see the whole truth. Many small and big problems have been overlooked.
Nana Patekar and Rajinikanth are two of the most famous actors Jugalbandi. This film is the most favored side of the film. Nana Patekar leaves the impression in the role of villain. He looks calm, self-restraint but inside he is as brutal, stubborn as he has made a good appearance. One of their dialogues will be remembered. Rajinikanth’s film might have a scope but another actor has given enough scope to it. Rajinikanth has also acted as a role model. Especially, the dialogue between the young and the Rajinikanth in front of each other is very good. The dialogue of both of them is very good. Ishwari Rao In the role of Selvi (wife of Rajinikanth) He has also given justice to his role. Only Pankaj has not given adequate meaning to the letter. Anjali Patil has also left his imprint in the film.
Director P. Ranjeet has done a great job. Everything in the film seems to be noticeably visible, from Rajinikanth’s look to slum dwellers. It seems that the director did not make any mistake by judging every character and scene. Background music seems to be occasionally hard. I think the dialogues are great. The theme song is also good. I feel that the length of the ball can be reduced to a little bit. In the past, the time has been set to build a story and in the end, the climax predicts in the end. In the past, emotionalism, crushing, drama are very high, but this reduces in the second half. Claymax is also the best choice of colors.
Some scenes for Rajinikanth fans are the best in the film. Specially, the action scenes on Mumbai’s flyover, when Rajinik’s use of umbrella as a killer. Rajinikanth’s dance, his stylish guess is all in the film. Sometimes it seems that the film is going on. Acting compared to Kabyali, the film is very good for Rajinikanth. If you are a Rajinikanth fan and if you want to see the strong gossip of Nana-Rajnikant, then you should definitely check this movie. .